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120 art modalities

Study and research of the 120 art modes in the Law of Time.

 What are the 120 art modes?

 How do we express these art modes in our lives?

 How do these art modes relate to the blending of the senses in synesthesia?

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Members: 11
Latest Activity: Jul 13

Seven rays, sub rays and the base matrix.

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Galactic Modalities 1 Reply

Hiya! I found your Seven Rays image while googling my business Galactic Modalities. What came up was the 120 art modes on galactic spacebook. It inspired me to do my first Public art that I am…Continue

Started by TINNIMMI Rose Ecliptic. Last reply by Lynn T Bright Jul 13.

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Comment by Bob Minea on February 2, 2015 at 5:20pm

The whole 7 Ray thing is a woven tapestry of interpenetrating complexes! Here's one brief quote I found about the "sub-rays":

"These are the seven rays, but it’s important to remember that all seven rays are subrays of the synthetic 2nd Ray of Love/Wisdom: Basically speaking, the energy of love, expressed with wisdom, is the line of least resistance for the manifested lives in our solar system. "God is love" is a great truth, for love is the basic law of this solar system"

I think Jose has simplified the wordy complexities ( a product of the Theosophical heyday, when verbiosity was trendy), giving us a  number & matrix system that informs us directly, telepathically. The human condition has actually changed drastically since the late 1800's, heck, it has changed since my own learnings in the '60's and '70's, I, myself, am already outdated by the progress...

Comment by Bob Minea on February 2, 2015 at 5:01pm

I blogged a  huge quote from an Alice Bailey book about the 7 Rays, & she references the sub-rays as having to do with the "lower body". Anyway, the text was too many words for our comment walls, so I posted it as a blog, & should be up in a couple days.

Comment by Bob Minea on February 2, 2015 at 2:28pm

Alibris. That's the name of the bookseller.

Comment by Bob Minea on February 2, 2015 at 2:13pm

I haven't read A. Bailey in a hundred years! I think I had her Treatise of the 7 Rays, or some such, & a couple others.  There is a Michael Bertiaux institution called the Monastary of the 7 Rays, it might've been a book as well, something that Jimi Hendrix was influenced by. I found the Charles Henry book online, from someone I can't recall the name of, their name started with an "A", they are a bookseller. I recommend buying from them, they were reputable. If I find the name I'll get it to you.

Maybe it's Treatise on Cosmic Fire I'm thinking of... I read all the Bailey & Blavatsky stuff back in the 70's, when I was a Golden Dawn & Crowley Kabbalist! I don't pay much attention to it now, but it laid a good foundation for me, & kicked me to the next level.

Your graphic is a good jump-off point, it will trigger insights into clarifications & further re-workings!

Comment by Lynn T Bright on February 2, 2015 at 1:42pm

I'm just trying to integrate my past knowledge of the rays with this new cosmic science that we've been given. How ever I haven't run across anything about the sub-rays that Alice Bailey talks about in her work. 

The book Charles Henry and the Formation of the Psychophysical Aesthetic sounds very interesting. I'm going to look for it.

Thank you Bob

 

Comment by Bob Minea on February 1, 2015 at 8:28pm

The "internalizing/externalizing" thing permeates all of Jose's works. Have you ever read one of his earliest books, Charles Henry and the Formation of the Psychophysical Aesthetic?   He used the words "dynamogenous" and "inhibitory" to represent the same concepts. He had all this information worked out before even writing it in all its variations as we read it today!

Comment by Bob Minea on February 1, 2015 at 8:15pm

Thanks, Lynn, he he.... I've been reading & re-reading these very pages the last couple of months, I'm back up to pg. 190 today.... I thought I recognized what you wrote, but I just couldn't place it! Sheesh! I think I'm ready to zero in on the modalities, thanks!

Okay, I get where you are going with the Rays, thanks again!

Comment by Lynn T Bright on February 1, 2015 at 8:06pm

The Roman numerals on the ray graphic indicate the rays. the numerals indicate the subrays. So in  the purple squares roman numeral I is the ray of will and purpose and the number 1 is the subray of will and purpose.. So both numbers just indicate dual meaning of the same location..The surounding 13 tones are the 13 heavens generation of time within 7 as shown on the graphic on p.33 in The Cosmic History Chronicles • Volume V

Let me know how you might change it or disregard it all together.

externalizes & transmits, while the sublimating internalizes, receiving from within, in other words, accessing the pre-conscious/subliminal (4th dimensional et al) information.

In your last post you asked if these 120 Art Modes give us a means to exercise radialization, & telepathic sensory extension. Yes. I think that is the synesthesia  that unites the senses. The impulses to the brain are interpreted by us. We can see sound, smell its essence and taste the experience all at the same time. Through the imagination our senses extend beyond the external  to the higher dimensions.

You described this process of internalizing and externalizing.   The inner reality and the outer reality. What a rich life we have!

Comment by Lynn T Bright on February 1, 2015 at 7:25pm

Thank you for all your comments.

The reference material is taken from CH Vol. III p.199.

here it is: The art codes “All the information is present in the human being in accordance with their levels of consciousness because the truths have been card indexed in their genes. Their unfoldment is dependent on the evolution in question.”         — Mevlana , The Knowledge Book Cosmic Science says that within the corpus callosum lies the behavioral codes (UR runes), and the metabolic pattern (See CH Vol. II ). These two code programs correspond to the different senses as they are coded by the six types of cosmic electricity (See Vol. II , p. 185). There are six forms of cosmic electricity, five sensory modalities, and two hemispheres (positive and negative). There are 60 potential modalities that affect the senses; these possible combinations are the basis of synesthesia. When we

radialize our perceptual system, the hemispheres become differentiated into four parts: right front, left front, right rear, and left rear. The metabolic codes are doubled for each hemisphere, creating 60 x 2 art code modalities—120 in all. Humans have only scratched the surface of understanding the underlying structure of how these art codes are built into our system. It is our duty to uncover these codes. The table of 120 art code modalities should be systematically studied and applied. Understanding the fundamental sensory metabolic codes will build the basis of a new synasthetic, multisensory experience on behalf of the planeto-cosmic art whole. As we enter this new world, we must consciously tune into these 120 modalities that connect and radialize all forms of our senses into different harmonic patterns and psycho-electronic frequencies. All art codes are within us. The art codes of music are the key codes; the harmonics are very precise. If sound is dissonant, we can hear it. If colors clash, we can see it. If something is rotten, we can smell it. Of course there are subjective variations, but most people agree on what sounds dissonant or harmonious, what colors clash or complement, and what smells good or bad. This is because the human nervous system and sense organs are installed with a harmonic program of art codes.

The seven ray graphic that I created follows the seven rays  on theses two attached graphics. I am speculating as to the sub rays. The first ray is also the first subray. They interlock in a symmetrical balance and follow the 21 x 21 grid.

Comment by Bob Minea on February 1, 2015 at 5:40pm

I can guess the 120 Art Modes map the synesthesization, or radialization of the 5 Senses. These Senses are each portrayed on the Holomind Perceiver/Synchronoton in each of the 4 main quadants.

The idea is to be aware of sensory reaction  simultaneously in all the quadrants according to the values of the quadrants being triggered. Or something.

Note that the Senses in the two AC Quadrants (creation & ascension) are plus Touch, Taste, & sublimated Sight, Sound. Smell in all the quadrants is neutral. The Senses in the CA quadrants (synchronic, cube) are opposite the AC.

This interesting because it suggests "plus" externalizes & transmits, while the sublimating internalizes, receiving from within, in other words, accessing the pre-conscious/subliminal (4th dimensional et al) information.

Perhaps these 120 Art Modes give us a means to exercise radialization, & telepathic sensory extension...?

 

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